![]() Horae printed on vellum in Paris their woodcut decorations the productions Printed Books with painted Illuminations. Influence of the Italian Renaissance the Horae of Jehan Foucquet of Tours. Horae manuscripts of the finest style use of flowers and fruit in borders and initials The growth of secular illuminators the inferiority of their work cheap and coarsely illuminated Manuscripts in Grisaille manuscripts of secular works Cristina of Pisa ChroniclesĪnd Travels Romances and Poems Italian influence in the south of France Magnificent French Horae their beautiful decorations their numerous miniatures theīedford Breviary the Bedford Missal various styles in the same manuscript The Duc de Berri the treasure-book of Origny Abbey the Anjou Horae costly and The fourteenth and fifteenth centuries historiated Bibles the ivy-pattern the Horae of The age of Saint Louis archaism of costume in miniatures French manuscripts of Of Dan Lydgate specially English subjects manuscripts of Chronicles and Introduction of portrait figures the Shrewsbury manuscript "Queen Mary's Prayer-book " the works Horae the Lectionary of Lord Lovel the characteristics of English ornament the Manuscripts of the fourteenth and fifteenth centuries the results of the Black Death the Poyntz ![]() ![]() Manuscripts of the Psalter the Tenison Psalter manuscripts of theĪpocalypse their extraordinary beauty their contrast to machine-made art English The technique of ancient manuscripts parchment and their illuminations manuscripts produced inīenedictine monasteries unity of style various kinds of background in miniatures magnificent Rome authors' portraits closed bookcases booksellers' quarter cost of Roman books slave Public libraries in Rome Roman library fittings and decorations recently discovered library in Ostraka manuscripts on leaves of trees Greek libraries Roman libraries a list of the Herodotus on manuscripts use of parchment manuscripts on linen inscribed potsherds or Of Ani existing manuscripts on papyrus the library of papyrus rolls found at Herculaneum Two forms of manuscripts, the roll and the codex Egyptian Books of the Dead Book Norway ivory tablets and diptychs inscribed Anglo-Saxon lead tablet "horn-books."Ĭlassical Manuscripts written with Pen and Ink. Greeks late survival of tablets "bidding the beads " lists of members of guilds wooden book in ![]() Manuscripts on metal plates lead rolls tin rolls gold amulets Petelia tablet waxed tabletsĪnd diptychs tablets shown on gems and coins tablets found in tombs tablets from Pompeii Ĭonsular diptychs many-leaved tablets the form of the waxed tablets whitened boards used by the Survival of classical methods in mediaeval times epigraphy and palaeography Page xiii to xix.Ĭlassical Manuscripts written with a Stilus. PROFESSOR OF FINE ART, DIRECTOR OF THE FITZWILLIAM MUSEUM, AND FELLOW OF KING'S COLLEGE, CAMBRIDGE AUTHOR OF "ANCIENT ROME IN 1888", "THE ENGRAVED GEMS OF CLASSICAL TIMES" &c. The sidenotes in the printed copy are displayed in small boxes, thus: Travels of the Gospels. ![]() Produced by Chris Curnow, Keith Edkins and the Onlineįile was produced from images generously made available *** START OF THIS PROJECT GUTENBERG EBOOK ILLUMINATED MANUSCRIPTS *** With this eBook or online at Title: Illuminated Manuscripts in Classical and Mediaeval Times Re-use it under the terms of the Project Gutenberg License included This eBook is for the use of anyone anywhere at no cost and withĪlmost no restrictions whatsoever. The Project Gutenberg EBook of Illuminated Manuscripts in Classical and Illuminated Manuscripts in Classical and Mediaeval Times. ![]()
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